As discussed above, it has direct connections with After Effects and can import in projects without needing to render them out, allowing you to make on-the-fly changes in Photoshop or After Effects. Yes, the obvious answer here is ‘Premiere is best with other software’. Same process as in Resolve, Baselight, whatever. DaVinci Resolve vs Premiere Pro - Compatibility & Integration. So raise the Highlight wheel while slightly pulling the Mids down, keeps the Mids in place while you lift the Highs. The color wheels, for another example, are always designed to work against each other.Įxample: use the Highlight wheel going up, it's a gain tool, lifting most values, just the highlights more than mids, mids more than shadows.
Like working with the white point right end of a Curves tool. Whites of course is a straight "gain" tool. Going down, Exposure is a straight Gain tool. It's really meant to be used "against" another control for best use, like most color tools are.
It doesn't push things past 100 though at the top.
Įxposure going up lifts about everything, but does lift highs/mids more than other values. But using mp4/long-GOP encoding for log-encoded files is not always a great thing. If I understand what you need, I can give a pretty solid answer.Īnd mp4 files are normally an H.264 format/codec, and not something that Premiere may be looking at as "having" a color space to mod. I don't have a clue what you mean by "degrading" the image.
0 kommentar(er)
