My node trees aren’t flexible enough: My base node tree tends to require lots of custom build-outs that negate some of the more obscure, but powerful, features of DaVinci Resolve… especially in the end game that part of the color grading session when you’re executing client notes. This decision is based on two conclusions: Both men are accomplished colorists, both are DaVinci Resolve savvy, and both like using Parallel nodes.Įspecially after seeing Walter’s presentation, I decided it was time to completely rethink my ‘base’ node tree – the layout I use on every job. But I didn’t consider embracing it until listening to an interview with Marc Weilage and then seeing the Keynote presentation by Walter Volpatto at the Blackmagic Design Conference this past February (which is going on the road later this year, according to the website). I liked the way it organized my node tree. Part 1: The 101 on the Parallel Mixer NodeĪbout a year ago I decided to start using the Parallel Mixer node more often. 
Tutorials / Parallel Mixer Node 101 / Understanding DaVinci Resolve’s Parallel Mixer Node (and when to use it) Series
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